No. 19
[digression] Clyde wanted to join the party, so we head in the direction of the nearest live wire, which to my mind, was Lulu who had struck a chord within my shredded heart. I was hoping that she still planned to meet us in the lobby of the movie theater, whereupon I had a plan to start moving in the direction of Osama bin Laden. As crazy as it seemed, I think I'd fallen upon a foolproof idea. Because if you look at the history of programming languages, they don't last forever, since technology changes, programming styles change, and good languages last only 15 or 20 years; a man like Osama fell into the same category. Let's say he had shelf life, which was only a few years left until he became ho-hum on the international market.
Likewise, I reasoned, but actually, I lost my bookmark of reasoning. I was aware of being able to concentrate more and more less. Prowlie's glass and light was beginning to emerge again in my consciousness and I didn't know what that meant except I had to follow it to its ultimate logical conclusion.
"Paranoid schizophrenic," I'd heard someone once say of me.
[ / digression]
Back to the party.
Friday, September 30, 2005
Tuesday, September 27, 2005
No. 18
For breakfast I rustled up two cups of coffee, brewed over a spoonful of instant, and two bowls of assorted dry cereal, poured out from the bottom of a bunch of almost empty cartons. Okay. The cereal was a little stale, but who cares if you've got milk. Right? Sometimes I can sound like a fucking commercial. So Granny stuffed her sleeping bag back into some expandable netting and then spent the rest of the morning in my bathroom cleaning herself up while I danced around waiting to take a piss.
"Come on in," she said. "I don't care."
"Don't look."
"Are you out of your mind? I'm behind a shower curtain."
I pissed, brushed my teeth, and washed up. By the time I got dressed, the water had stopped running, but she was still futzing around in the bathroom.
I decided to sit down at the computer balanced on a snack table outside the kitchen.
"You ready?" she asked after I had almost finished checking my email.
"Huh?" I couldn't believe it. Cleaning up had done things for Granny that I couldn't have imagined. While before she had been some indiscriminate age, a raunchy gnarly thing curled in upon itself, now she appeared radiant, a woman in her late thirties, and her light brown hair; well, it almost had sheen. I was glad to see she was no longer wearing several layers of multi-colored shorts, now dressed in a black shirt with a stained red top, clearly rescued from some Goodwill sale pile.
"Stop looking at me," she said, throwing her bag over her shoulder. "Let's get going. I'm not use to being in one place."
So we walked up the side of the house, past the recyling bins. I saw a man going through my bottles. He looked familiar. "Say, don't I know you from somewhere?" I asked. He was this black guy. All I knew was that he was built like a line-backer.
"I've never seen you before in my life," he said, holding up an aluminum orange soda can.
"Yes, now I know where I saw you. You were the ticket taker at the movies up the street the other night."
"Yeah, what of it?"
"Nothing much. I remember you bumped in to me."
"Hi, Clyde."
"Hi Granny."
"You two know each other?"
Granny nodded. "I know a lot of people."
"So you got yourself a place to stay last night," winked Clyde.
"You can think whatever you want to think."
"Say, you look good cleaned up," he laughed.
"Clyde and I have done street time together," she explained to me. "But right now he's holding down more jobs than you can count on two fingers."
"Three right now," he said. "Going through the recyling bins is a sideline. I work at the theater in the evening, the laundromat across the street in the afternoon, then I haul off the glass whenever I can, and get five cents a bottle."
"I'll probably see you in the theater lobby real soon," she said. "selling newspapers. But in the meantime, I'm going with a couple of these bums to build a mass movement."
"Anything I can make money at?" he asked. " I need time off from one of my jobs."
For breakfast I rustled up two cups of coffee, brewed over a spoonful of instant, and two bowls of assorted dry cereal, poured out from the bottom of a bunch of almost empty cartons. Okay. The cereal was a little stale, but who cares if you've got milk. Right? Sometimes I can sound like a fucking commercial. So Granny stuffed her sleeping bag back into some expandable netting and then spent the rest of the morning in my bathroom cleaning herself up while I danced around waiting to take a piss.
"Come on in," she said. "I don't care."
"Don't look."
"Are you out of your mind? I'm behind a shower curtain."
I pissed, brushed my teeth, and washed up. By the time I got dressed, the water had stopped running, but she was still futzing around in the bathroom.
I decided to sit down at the computer balanced on a snack table outside the kitchen.
"You ready?" she asked after I had almost finished checking my email.
"Huh?" I couldn't believe it. Cleaning up had done things for Granny that I couldn't have imagined. While before she had been some indiscriminate age, a raunchy gnarly thing curled in upon itself, now she appeared radiant, a woman in her late thirties, and her light brown hair; well, it almost had sheen. I was glad to see she was no longer wearing several layers of multi-colored shorts, now dressed in a black shirt with a stained red top, clearly rescued from some Goodwill sale pile.
"Stop looking at me," she said, throwing her bag over her shoulder. "Let's get going. I'm not use to being in one place."
So we walked up the side of the house, past the recyling bins. I saw a man going through my bottles. He looked familiar. "Say, don't I know you from somewhere?" I asked. He was this black guy. All I knew was that he was built like a line-backer.
"I've never seen you before in my life," he said, holding up an aluminum orange soda can.
"Yes, now I know where I saw you. You were the ticket taker at the movies up the street the other night."
"Yeah, what of it?"
"Nothing much. I remember you bumped in to me."
"Hi, Clyde."
"Hi Granny."
"You two know each other?"
Granny nodded. "I know a lot of people."
"So you got yourself a place to stay last night," winked Clyde.
"You can think whatever you want to think."
"Say, you look good cleaned up," he laughed.
"Clyde and I have done street time together," she explained to me. "But right now he's holding down more jobs than you can count on two fingers."
"Three right now," he said. "Going through the recyling bins is a sideline. I work at the theater in the evening, the laundromat across the street in the afternoon, then I haul off the glass whenever I can, and get five cents a bottle."
"I'll probably see you in the theater lobby real soon," she said. "selling newspapers. But in the meantime, I'm going with a couple of these bums to build a mass movement."
"Anything I can make money at?" he asked. " I need time off from one of my jobs."
Sunday, September 18, 2005
No. 17
"I use to be pretty," said Granny, "not that you'd ever believe it," and she held up her hand in my face when I tried to protest. "You don't have to say anything. And my hair! I bet you wouldn't believe that I almost was hired for a shampoo commercial. The people said they'd never seen anyone with the kind of sheen I had in my hair, especially for someone with light brown hair. Light brown hair usually doesn't do much of anything. But I was eating back then. I think it was the nuts. They say peanut oil has a lot of vitamin E."
Was that so, I thought. My hair was starting to thin on top and I wasn't ready to reach for the Rogaine. Maybe I should eat more nuts. "So what happened?"
"I can't wash it, brush it, so I just keep it braided down my back. But it's so dirty, it weighs two tons. I can hardly hold my head up."
"No, I mean about the commercial. For shampoo."
"Oh, that," she laughed. "They hired someone else. And you know what? She scrunched up her face. "That girl hardly had any sheen. She and the photographer were sleeping together."
"Sometimes that happens," I began, wanting to say something to Granny about bum breaks. I kept feeling I had to be nice to her to help make up for society's injustices.
"But that's the way my luck has been. Never knew my father. My mother went crazy by the time I was ten. Not that I really could tell the difference. It was all crazy. I thought that was the way everything was. You could say that these past two years on the streets have been my most sane."
I could tell this was going to be an all-nighter. "What do you mean?"
"You're not interested."
"Why do you say that?"
"You're just being nice. I'm not going to sleep with you. Now don't think just because you're listening to me..."
"I'm not the least bit interested in sleeping with you. First of all, I've got at least four hours of work I still have to do. And second of all, we're on a project together, which means we can't sleep together."
"Why?"
I stumbled for an answer. "Because it's unethical."
"Oh," she said, folding her hands into a neat pile on her lap and looking more relaxed. "So what do you do?
"I'm a programmer," I said.
"TV? Radio?"
"No, I program languages. Like XML."
"What about XXL?"
"Do you program also?"
"That's my t-shirt size." Oh, by the way," she said, "I lied to you before. It wasn't peanuts that gave my hair that sheen. It was rosemary oil."
Rosemary oil. I made a note to ask her tomorrow where I could buy the stuff. If my hair had more sheen, it might help to make up for everything else it was missing. "Good night," I said.
"Good night," she chirped back, and shook out a sleeping bag from somewhere inside her shopping bag upon my old couch.
"I use to be pretty," said Granny, "not that you'd ever believe it," and she held up her hand in my face when I tried to protest. "You don't have to say anything. And my hair! I bet you wouldn't believe that I almost was hired for a shampoo commercial. The people said they'd never seen anyone with the kind of sheen I had in my hair, especially for someone with light brown hair. Light brown hair usually doesn't do much of anything. But I was eating back then. I think it was the nuts. They say peanut oil has a lot of vitamin E."
Was that so, I thought. My hair was starting to thin on top and I wasn't ready to reach for the Rogaine. Maybe I should eat more nuts. "So what happened?"
"I can't wash it, brush it, so I just keep it braided down my back. But it's so dirty, it weighs two tons. I can hardly hold my head up."
"No, I mean about the commercial. For shampoo."
"Oh, that," she laughed. "They hired someone else. And you know what? She scrunched up her face. "That girl hardly had any sheen. She and the photographer were sleeping together."
"Sometimes that happens," I began, wanting to say something to Granny about bum breaks. I kept feeling I had to be nice to her to help make up for society's injustices.
"But that's the way my luck has been. Never knew my father. My mother went crazy by the time I was ten. Not that I really could tell the difference. It was all crazy. I thought that was the way everything was. You could say that these past two years on the streets have been my most sane."
I could tell this was going to be an all-nighter. "What do you mean?"
"You're not interested."
"Why do you say that?"
"You're just being nice. I'm not going to sleep with you. Now don't think just because you're listening to me..."
"I'm not the least bit interested in sleeping with you. First of all, I've got at least four hours of work I still have to do. And second of all, we're on a project together, which means we can't sleep together."
"Why?"
I stumbled for an answer. "Because it's unethical."
"Oh," she said, folding her hands into a neat pile on her lap and looking more relaxed. "So what do you do?
"I'm a programmer," I said.
"TV? Radio?"
"No, I program languages. Like XML."
"What about XXL?"
"Do you program also?"
"That's my t-shirt size." Oh, by the way," she said, "I lied to you before. It wasn't peanuts that gave my hair that sheen. It was rosemary oil."
Rosemary oil. I made a note to ask her tomorrow where I could buy the stuff. If my hair had more sheen, it might help to make up for everything else it was missing. "Good night," I said.
"Good night," she chirped back, and shook out a sleeping bag from somewhere inside her shopping bag upon my old couch.
Saturday, September 17, 2005
No, 16
Granny was now a person with food in her stomach, a situation which definitely agreed with her. We sat on the living room couch; her feet rested on an an unread pile of InfoWorld magazines stacked on my coffee table. Granny didn't talk much. We stayed up for several hours and sat in front of the TV, until I couldn't stall the inevitable. I had to start programming and finance my mass movement {all bathroom jokes aside}.
I knew she was the lady in the house, but beats the hell out of me if I was going to let greasy Granny spend the night sleeping under my blankets. I didn't care how dirty they were {my blankets}, which as far as I was concerned, was nothing compared to eau de Granny. I just thought Lulu had been pretty slick to dump everything into my hands and run off with her video recorder.
"Uhh, I'll make a bed up for you on the couch," I said.
"You're gonna let me sleep here?" she said, startling herself back into a sitting position. "On your couch?"
"Where else? There's only one bed in the apartment."
"You really don't have to do that," she said.
Yeah, and didn't I know it, which is when Granny decided to tell me her life's story.
Granny was now a person with food in her stomach, a situation which definitely agreed with her. We sat on the living room couch; her feet rested on an an unread pile of InfoWorld magazines stacked on my coffee table. Granny didn't talk much. We stayed up for several hours and sat in front of the TV, until I couldn't stall the inevitable. I had to start programming and finance my mass movement {all bathroom jokes aside}.
I knew she was the lady in the house, but beats the hell out of me if I was going to let greasy Granny spend the night sleeping under my blankets. I didn't care how dirty they were {my blankets}, which as far as I was concerned, was nothing compared to eau de Granny. I just thought Lulu had been pretty slick to dump everything into my hands and run off with her video recorder.
"Uhh, I'll make a bed up for you on the couch," I said.
"You're gonna let me sleep here?" she said, startling herself back into a sitting position. "On your couch?"
"Where else? There's only one bed in the apartment."
"You really don't have to do that," she said.
Yeah, and didn't I know it, which is when Granny decided to tell me her life's story.
Thursday, September 15, 2005
No. 15 (continued from July)
We walked to my apartment that was a few blocks away. If this what it took make my life interesting once again, I thought, I was up for it. "So Granny," I asked. Do you like spaghetti?"
"Yes, indeedy, needy," she said. "I've got the sauce." She ransacked her black bag for a moment and pulled out a jar of Newman's Best. "I went shopping this morning," she said to me, and winked. "The trick is getting into the store."
"What do you mean?"
"Don't you know diddley-squat? Granny's gonna teach you. In order to shop, you have to get in the store, and in order to get in the store, you have to get past security, and in order to get past security, it's important they don't know your face."
"So how'd you get past security?"
"A different guy was on duty this morning," she said. "I scored."
"Basil-garlic," I said. "My all-time favorite."
She smiled. "I figure you got a stove in your apartment."
"I even have a loaf of bread," I said and found the key. I jiggled the lock just the right way to open the door. Granny followed me to the refrigerator. "I forgot something." I said.
"Tell me."
I closed the refrigerator door and opened up a few cabinets, realizing that I didn't actually have spaghetti, just another jar of sauce.
Granny's face dropped, but then she recouped. "Heat them up," she said. "We'll have soup."
I did, and we had plenty of bread. But then there was all that Top-Ramen in the back of my closet, and who said you couldn't put sauce on a noodle that comes packaged as its own raft?
"Score," said Granny. "Totally score."
We walked to my apartment that was a few blocks away. If this what it took make my life interesting once again, I thought, I was up for it. "So Granny," I asked. Do you like spaghetti?"
"Yes, indeedy, needy," she said. "I've got the sauce." She ransacked her black bag for a moment and pulled out a jar of Newman's Best. "I went shopping this morning," she said to me, and winked. "The trick is getting into the store."
"What do you mean?"
"Don't you know diddley-squat? Granny's gonna teach you. In order to shop, you have to get in the store, and in order to get in the store, you have to get past security, and in order to get past security, it's important they don't know your face."
"So how'd you get past security?"
"A different guy was on duty this morning," she said. "I scored."
"Basil-garlic," I said. "My all-time favorite."
She smiled. "I figure you got a stove in your apartment."
"I even have a loaf of bread," I said and found the key. I jiggled the lock just the right way to open the door. Granny followed me to the refrigerator. "I forgot something." I said.
"Tell me."
I closed the refrigerator door and opened up a few cabinets, realizing that I didn't actually have spaghetti, just another jar of sauce.
Granny's face dropped, but then she recouped. "Heat them up," she said. "We'll have soup."
I did, and we had plenty of bread. But then there was all that Top-Ramen in the back of my closet, and who said you couldn't put sauce on a noodle that comes packaged as its own raft?
"Score," said Granny. "Totally score."
Monday, September 05, 2005
CellPhone Poem 12
Calling to find out if I can go
pearl-diving this evening
inside your mouth,
as I sit on a chair that dreams
of becoming a crocodile
climbing the hills
that turns into a bridge
connecting two short points
to a distance
as I wrap my legs
around whatever it is
we can become.
*
Me? Fine. I know.
You? Okay. Great.
Just for today?
So I'll come over
maybe in a few hours.
Around dinner.
We'll stuff plastic bags
with clothes for people
in New Orleans.
Take them to the Grand Lake Theater
any time from the morning commute hour
all through the night.
Calling to find out if I can go
pearl-diving this evening
inside your mouth,
as I sit on a chair that dreams
of becoming a crocodile
climbing the hills
that turns into a bridge
connecting two short points
to a distance
as I wrap my legs
around whatever it is
we can become.
*
Me? Fine. I know.
You? Okay. Great.
Just for today?
So I'll come over
maybe in a few hours.
Around dinner.
We'll stuff plastic bags
with clothes for people
in New Orleans.
Take them to the Grand Lake Theater
any time from the morning commute hour
all through the night.
Thursday, September 01, 2005
CellPhone Poem 11
It's me. All my important
numbers. Ring tones.
Daffy Duck & Pastures of Plenty.
Beseme Mucho & Beethoven.
All my significant others
gathered beneath one roof
a press away
distilling voices
into the daily grind
blinking when its cell
runneth over
with voice and text messages
video grabs
eyes closed shut
or an abandoned meth lab
there for all to see.
My whole life stripped down
to ankle bracelets
from single shining chip
to shining chip.
It's me. All my important
numbers. Ring tones.
Daffy Duck & Pastures of Plenty.
Beseme Mucho & Beethoven.
All my significant others
gathered beneath one roof
a press away
distilling voices
into the daily grind
blinking when its cell
runneth over
with voice and text messages
video grabs
eyes closed shut
or an abandoned meth lab
there for all to see.
My whole life stripped down
to ankle bracelets
from single shining chip
to shining chip.
Sunday, August 28, 2005
CellPhone Poem 10
So on the day of your eviction
three blue sentinels stood
at the edge of a parking strip,
almost a year
since your father had died
on a Sunday that stretched into police reports,
when sunflowers in the backyard
spit their black and white seeds
into my face.
You hugged me then
mostly because you didn't know what else to do,
before you crawled beneath the linoleum and sub-flooring
and buried yourself hissing my name.
Go away. You are a mother
of Shit Heads.
You said other things to me
I can't repeat
because I am a mother,
and because I'm trying to remember
how you're my son,
who taught me the miracle that life is.
I'm not sure when you started to hate
with the green stare of a cat's eye marble,
who'd already dismissed me from my post.
I don't know how a child can even do that,
you who discovered pill bugs beneath every rock
and tamed snails,
always searching for more
through mint and calendulas,
maybe learning from them
how to hide your terror.
Are you listening?
Can you hear me?
So on the day of your eviction
three blue sentinels stood
at the edge of a parking strip,
almost a year
since your father had died
on a Sunday that stretched into police reports,
when sunflowers in the backyard
spit their black and white seeds
into my face.
You hugged me then
mostly because you didn't know what else to do,
before you crawled beneath the linoleum and sub-flooring
and buried yourself hissing my name.
Go away. You are a mother
of Shit Heads.
You said other things to me
I can't repeat
because I am a mother,
and because I'm trying to remember
how you're my son,
who taught me the miracle that life is.
I'm not sure when you started to hate
with the green stare of a cat's eye marble,
who'd already dismissed me from my post.
I don't know how a child can even do that,
you who discovered pill bugs beneath every rock
and tamed snails,
always searching for more
through mint and calendulas,
maybe learning from them
how to hide your terror.
Are you listening?
Can you hear me?
Friday, August 26, 2005
CellPhone Poem_WhatIs
A cellphone poem is music
how we sound
as we dial talk text message
and the breath between
the warm bath
of lymph nodes
that keeps lines open
in our groins back and forth
between listening
and expression
at right angles
broadcasting
I and Thou
me and you
perched on a molded cornice
where a voice speaks its essay:
Hold on, hold on
a soul shift does not occur
in the limelight,
it comes from shadow.
The planet will heat up,
species will die,
but when, and how many
and can we change?
A cellphone poem is music
how we sound
as we dial talk text message
and the breath between
the warm bath
of lymph nodes
that keeps lines open
in our groins back and forth
between listening
and expression
at right angles
broadcasting
I and Thou
me and you
perched on a molded cornice
where a voice speaks its essay:
Hold on, hold on
a soul shift does not occur
in the limelight,
it comes from shadow.
The planet will heat up,
species will die,
but when, and how many
and can we change?
Wednesday, August 24, 2005
CellPhone Poem 8
I'm here
walking down the supermarket aisle
where the strawberry yogurt
meets the fish counter.
Why d'you think containers of yogurt
are near the fish counter?
Those two things don't go together.
Yogurt sauce over salmon
is the closest I've ever come
in my whole life to anything like that,
but I don't think it was yogurt,
maybe cream cheese.
I'm here
sitting on the bus counting my change.
The Queen is eating bread and honey.
I said that to be funny.
I'm here speaking to you from the dental chair
in the few minutes I have left to me
before the dental assistant
sticks blue goop in my mouth.
I'm here,
but I'm almost ready to leave.
I've been here all day
standing in line.
What do you mean what tickets?
They're the ones for Andy's birthday
this weekend he was coming in from Fresno
and we were going to take him out.
Remember? I'm sitting in traffic.
Actually, I'm sitting in my car
listening to the radio,
and all I can see are brake lights.
It'll be hours
until I can return
to my reality show. I'm here,
but I want to be home.
I'm here
walking down the supermarket aisle
where the strawberry yogurt
meets the fish counter.
Why d'you think containers of yogurt
are near the fish counter?
Those two things don't go together.
Yogurt sauce over salmon
is the closest I've ever come
in my whole life to anything like that,
but I don't think it was yogurt,
maybe cream cheese.
I'm here
sitting on the bus counting my change.
The Queen is eating bread and honey.
I said that to be funny.
I'm here speaking to you from the dental chair
in the few minutes I have left to me
before the dental assistant
sticks blue goop in my mouth.
I'm here,
but I'm almost ready to leave.
I've been here all day
standing in line.
What do you mean what tickets?
They're the ones for Andy's birthday
this weekend he was coming in from Fresno
and we were going to take him out.
Remember? I'm sitting in traffic.
Actually, I'm sitting in my car
listening to the radio,
and all I can see are brake lights.
It'll be hours
until I can return
to my reality show. I'm here,
but I want to be home.
Monday, August 22, 2005
CellPhone Poem 7
I'm repeating this again
because it needs to be repeated
like a bobble-head
that keeps waggling its eyes at me.
About time.
About him.
About me.
About place.
A woman warmed her nose
inside a tunnel of fingers. She saw:
eye-gougers, pliers for ripping ears,
a necklace of nails.
There was a small door
in a large wall
covering the spot
where something breathed.
On Hitler's birthday,
he'd served cup cakes
iced with red swastikas
to a guest with 1,000 eyes.
Now the interrogator gets close,
drenched in contempt.
The only thing protecting her
was his jet lag.
Later on, burning tires
floated down a river of oil.
Others sold images of the Virgin
on grilled cheese sandwiches.
About time.
About love.
About face.
About now.
It keeps coming up.
Memory extends my hair
to the next country.
Call me ASAP.
Sunday, August 21, 2005

CellPhone Poem 6
I don't get it.
Why'd he say he'd get in touch
when he didn't?
When the next set starts,
he said he'd call.
That was three weeks ago.
Sitting. I'm almost there.
I'm looking out the window.
Take-out.
You told me
you didn't want to cook.
I don't want to either.
Pick me up. No, rice.
A few minutes.
Stop screaming. I got it.
Thursday, August 18, 2005
CellPhone Poem 5
Waiters are bringing wine to the table
Chardonnay - the house
we have to leave in a half hour
here they come
did you talk to the realtor
about the surge protector?
I can see grass out the window
sprouting over my parent's graves
it's where last time they walked
my friend's test was positive
the cancer is malignant
she wants to lop them both off.
Waiters are bringing wine to the table
Chardonnay - the house
we have to leave in a half hour
here they come
did you talk to the realtor
about the surge protector?
I can see grass out the window
sprouting over my parent's graves
it's where last time they walked
my friend's test was positive
the cancer is malignant
she wants to lop them both off.
Saturday, August 13, 2005
Friday, August 05, 2005
CellPhone Poem 2:
I called officials from Tokyo,
just like you advised,
gave an interview on prime time,
also an anchor in New York who wanted to know
what I'd eaten for breakfast,
as if viewers hadn't heard
enough about cereal bars
inside the shuttle.
We discussed the wing heat shield.
The anchor wanted to know how it's possible
to peel foam so thin it's like sand.
I told him carefully. We laughed.
But when I talked about earth from outer space
where air appears thinner than the pulsing white
of an eggshell, how the planet's scalp
is scarred with the stump of ridges,
the anchor talked to me during commercial break.
He said to can it.
You, who allowed me
to see creation, I am slow of speech,
and slow of tongue.
*
I am an old voice
that seeps through stone,
one stone at a time,
I am the so-called old man
that has heard way too much
speaking for myself.
Whenever I open my mouth,
it's Biblical.
Who knows what to say?
Do u think it's easy for me sounding
lke this all the time Now u've done it
R you satisfd U don't have to sound lke me
For God's sake u're an astronaut Moses tlked the sme shit
abt nt knwing wht 2 say Wht do u nd?
Sme kind of staff?
Keep rpeatng the sme thng u knw
people hear insde their own holding pattern becse
who wouldn't wnt 2 be held love catches throats
& strngs thm up
wth their own snd
rather than bng loved it's so mch easier.
I called officials from Tokyo,
just like you advised,
gave an interview on prime time,
also an anchor in New York who wanted to know
what I'd eaten for breakfast,
as if viewers hadn't heard
enough about cereal bars
inside the shuttle.
We discussed the wing heat shield.
The anchor wanted to know how it's possible
to peel foam so thin it's like sand.
I told him carefully. We laughed.
But when I talked about earth from outer space
where air appears thinner than the pulsing white
of an eggshell, how the planet's scalp
is scarred with the stump of ridges,
the anchor talked to me during commercial break.
He said to can it.
You, who allowed me
to see creation, I am slow of speech,
and slow of tongue.
*
I am an old voice
that seeps through stone,
one stone at a time,
I am the so-called old man
that has heard way too much
speaking for myself.
Whenever I open my mouth,
it's Biblical.
Who knows what to say?
Do u think it's easy for me sounding
lke this all the time Now u've done it
R you satisfd U don't have to sound lke me
For God's sake u're an astronaut Moses tlked the sme shit
abt nt knwing wht 2 say Wht do u nd?
Sme kind of staff?
Keep rpeatng the sme thng u knw
people hear insde their own holding pattern becse
who wouldn't wnt 2 be held love catches throats
& strngs thm up
wth their own snd
rather than bng loved it's so mch easier.
Thursday, August 04, 2005
Cell Phone Poem 1
I'm leaning against a parking meter
looking at a car that's not mine,
but it's a nice car, a two-seater,
taxi-cab yellow sports coupe
blinking aren't I hot from its tail-lights,
and if you follow the arc, spreading its wings,
two molded lines that meet on a hood,
which is to say it's lunch-time,
and I'm hungry for a sandwich with pickles
and stoneground mustard dripping from the side
of a sour dough roll that's been cut
into two halves folded over roast turkey,
but then I couldn't talk on the cellphone,
my ear pressed into the metal,
my ear picking up signals,
listening for a voice that's not there.
I'm leaning against a parking meter
looking at a car that's not mine,
but it's a nice car, a two-seater,
taxi-cab yellow sports coupe
blinking aren't I hot from its tail-lights,
and if you follow the arc, spreading its wings,
two molded lines that meet on a hood,
which is to say it's lunch-time,
and I'm hungry for a sandwich with pickles
and stoneground mustard dripping from the side
of a sour dough roll that's been cut
into two halves folded over roast turkey,
but then I couldn't talk on the cellphone,
my ear pressed into the metal,
my ear picking up signals,
listening for a voice that's not there.
Saturday, July 30, 2005
PortFest
The thinness of skateboarders
disappearing into their own silhouettes.
Seagulls on a wooden merry-go-round
that keeps capsizing.
Parents chasing children from running off
the curb of the ocean.
Water steaming sparkle.
Pelicans leap-frogging.
A mandala of pony-tails
tied together with string.
A water bottle of music
with wings.
The thinness of skateboarders
disappearing into their own silhouettes.
Seagulls on a wooden merry-go-round
that keeps capsizing.
Parents chasing children from running off
the curb of the ocean.
Water steaming sparkle.
Pelicans leap-frogging.
A mandala of pony-tails
tied together with string.
A water bottle of music
with wings.
Wednesday, July 27, 2005
No. 14
Money. The bane of my existence. The constant worry of my days, the ultimate sticking point to which I'm stuck -- how to pay bills and become an upstanding member of society with a significant credit debt that will make me one with my brothers and sisters who've been taught, like myself, to be consummate consumers, to owe my soul to the company store, to shop for the best deals, clip coupons, compare notes at the mall, dealer warehouses, showrooms, place items into online shopping carts that I build during the day to replicate the world in a virtual environment where members of the global society can continue to shop, to spend money, to pay for things, because more attention is literally and figuratively paid to being a good consumer than to ever being a good citizen. Do we even know what being a good citizen means anymore? Do we teach these things in our schools? And why do I care so much, why am I hounded by these questions, doubts, by money, the awful and critical decision of what to buy, when, and how much is enough? Some days I want to be like everyone else, just go out and blow a wad of money and not think about the consequences, not wonder about the violence I am doing by consuming more of the world's limited resources simply because I can. What's stopping me? Who's stopping me? What are the limits?
"You've got a far-away look in your eyes," said Lulu, waving her hand in front of my face. "Are you seeing the light again?"
"Far from it."
"So who's got money?" said the woman, "or are you both bums?"
"What's your name?" I asked her, drifting out of my personal fog. Sometimes, I can sit in place for hours and hours and allow my mind to travel without a passport. But that was before I'd discovered my purpose in life and met Lulu.
"Graneviere," she said. "It's a French name. But you can call me Granny. So I still want to know," she said. "Whose got the money and are we eating in or out tonight?"
"I'll see you tomorrow," said Lulu. "I'm going home."
"Meet me in front of the theater at noon," I called to her, and she waved, hitching her bag over her shoulder and disappearing into the bus exhaust at the curb.
"You've got a far-away look in your eyes," said Lulu, waving her hand in front of my face. "Are you seeing the light again?"
"Far from it."
"So who's got money?" said the woman, "or are you both bums?"
"What's your name?" I asked her, drifting out of my personal fog. Sometimes, I can sit in place for hours and hours and allow my mind to travel without a passport. But that was before I'd discovered my purpose in life and met Lulu.
"Graneviere," she said. "It's a French name. But you can call me Granny. So I still want to know," she said. "Whose got the money and are we eating in or out tonight?"
"I'll see you tomorrow," said Lulu. "I'm going home."
"Meet me in front of the theater at noon," I called to her, and she waved, hitching her bag over her shoulder and disappearing into the bus exhaust at the curb.
Tuesday, July 26, 2005
No. 13
We walked outside the coffee shop. The sun was bright. I tripped and had to regain catch myself from falling. "Watch it."
There was this woman sitting huddled outside the door with a stack of newspapers, wearing two pairs of overlapping shorts of different lengths and colors, lime-green and purple, and a hat with a black veil pulled over her face. She shook a stack of newspapers at me like a rattle. The masthead read, "Homeless Security."
"Make a contribution."
"I almost fall and you want me to buy something?"
"Why not? It's the American way. Besides, it was just an accident."
"Then how come you're sitting right there by the door? You deliberately tripped me."
"Get a grip. If you buy a newspaper, I'll show you something amazing."
"Give her a dollar," said Lulu. Some one else came out of the coffee shop and quickly walked away from us.
"Here's your paper," said the woman. Then she showed us something I've never seen anyone do. She tied her tongue into a knot. "It's in the genes," she said, after she'd shown us several times. "They tell me my father could do it, too." She got up from her feet and lifted the black netting from her face. Her face had some nasty-looking pimples that I didn't think was about teenage acne. She looked like she was in her forties.
"You just sit here all day tripping people?" asked Lulu.
"Selling newspapers," she added. "But I don't go tongue-tied for everyone. That was special."
Lulu reached for her video camera. "I can take your picture and show it to you."
Right then, I wished I could've tied Lulu's tongue into a knot, and left it that way.
"Where are you going after you leave here?" the woman asked Lulu.
"We're going to build a mass movement. Why don't you come with us?"
The woman picked up her bundle of newspapers and zipped the fly of one of her shorts. "Sure. I've got nothing better to do. But what're you guys going to use for money?"
We walked outside the coffee shop. The sun was bright. I tripped and had to regain catch myself from falling. "Watch it."
There was this woman sitting huddled outside the door with a stack of newspapers, wearing two pairs of overlapping shorts of different lengths and colors, lime-green and purple, and a hat with a black veil pulled over her face. She shook a stack of newspapers at me like a rattle. The masthead read, "Homeless Security."
"Make a contribution."
"I almost fall and you want me to buy something?"
"Why not? It's the American way. Besides, it was just an accident."
"Then how come you're sitting right there by the door? You deliberately tripped me."
"Get a grip. If you buy a newspaper, I'll show you something amazing."
"Give her a dollar," said Lulu. Some one else came out of the coffee shop and quickly walked away from us.
"Here's your paper," said the woman. Then she showed us something I've never seen anyone do. She tied her tongue into a knot. "It's in the genes," she said, after she'd shown us several times. "They tell me my father could do it, too." She got up from her feet and lifted the black netting from her face. Her face had some nasty-looking pimples that I didn't think was about teenage acne. She looked like she was in her forties.
"You just sit here all day tripping people?" asked Lulu.
"Selling newspapers," she added. "But I don't go tongue-tied for everyone. That was special."
Lulu reached for her video camera. "I can take your picture and show it to you."
Right then, I wished I could've tied Lulu's tongue into a knot, and left it that way.
"Where are you going after you leave here?" the woman asked Lulu.
"We're going to build a mass movement. Why don't you come with us?"
The woman picked up her bundle of newspapers and zipped the fly of one of her shorts. "Sure. I've got nothing better to do. But what're you guys going to use for money?"
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